Tag: street photography

Ha Noi Streets

Over the summer, my wife Laura and I accompanied our daughter Allison and her boyfriend Patrick while travelling through Southeast Asia. One of the many highlights for me was spending time walking the streets of Ha Noi, Viet Nam and photographing daily life there.

People in Ha Noi really do live their lives on the streets, without being what we in the west think of as “street people”. Food is prepared, cooked and eaten on the streets. People take mid-day naps on the streets; they read the paper, sell their wares and entertain themselves on the street. At times, the streets have a carnival-like atmosphere, particularly during the Night Markets – markets that open after sun down and sell just about anything and everything. Streets are blocked off from cars entering and vendors set up tables (and tarpaulins as it does rain a lot there) and span the next few hours selling. Fascinating!

To make my life easier, the people I photographed were very accommodating. For the most part, I was able to ask for permission before shooting, except, of course, those who were napping at the time or whizzing by on motorbikes. Some of the people I asked said no, and I respected that, but these are the ones who agreed. This made, for me, a very rich travel experience, interacting with people I could not converse with, but having a general and somewhat universal understanding of what each other was trying to say. I was able to get a local hotel from https://www.junglevistainn.com/, which helped me stay close to the people. Twice, I was offered pieces of fruit from ladies who were selling it. They would not take money from me when offered, but indicated it was a gift. How lovely. How truly genuine.

You’ll notice, all of these photos are made using an iPhone. I have found using an iPhone to be revolutionary for me, especially in street photography, an area I have little experience or confidence in pursuing. However, It seems people are not as intimidated having their photo taken with a phone as they might be with a more substantial camera. Ha Noi is a very different place from Guelph or Toronto. I’m not sure I could or would be able to do the same thing here.

Please take a moment to click through the images in the Gallery below (click on the first image to enlarge it, then scroll through to see the others). Note that I have only provided very general titles. Rather than explaining each photo in the title, I would rather leave it up to the viewer to look into the photo to see what’s happening and come to their own conclusions. Some are more obvious than others.

Please leave comments (or questions) below and I encourage you to take a moment to share this page using the links at the bottom.

Enjoy!

Vieux Port de Montreal

New folio: Vieux Port De Montréal

A short project, I spent an afternoon working on back in June of 2016, was a series of photographs along Rue de la Commune in Old Montreal. I had a couple of hours “off” from shepherding my Grade 7s through Montreal on a school trip.

As I walked along this area of “Vieux Port de Montréal” I became intrigued by the barely visible signs painted on the brick and stone faces of the buildings – ghostly reminders of the past. It’s not ancient history, nor is it particularly significant to the world at large. What it is, though, is classic, vernacular history; the history of a local population.

I found it creatively intriguing, so I spent the afternoon photographing what little there was left of these painted store/shop signs, directions and directives in these few blocks, trying to find the best way to reveal them without the more modern obstructions and changes. There are also photographs of a few architectural and design details that caught my eye as being complementary to the signs.

Also of interest to me, as a photographer, was the colour palette in this area. Dingy is one way of looking at the dirty-looking grey blocks of stone, but there are also subtle, worn-looking greens, as you can see in the photo above, worn-looking reds. The colours are real, not “photoshopped”, but in their faded appearance, they give this real-life area a natural, faded-image look.

Of interest to photographers, at the time I was using a Panasonic FZ1000, a more-than-capable camera for this kind of street work, with its very flexible 25-400mm Leica zoom and high quality 1″ sensor. As you may know, I’ve since transitioned to a Sony RX10iii: a similar, but slightly more capable camera. If interested, you can read about that decision here.

I have purposely kept people to a minimum in these photographs. My point was not to show how the street and buildings have been transformed; rather, the photographs are a record of a rapidly fading past – I wanted the painted signs and the surrounding architecture to speak of that past. Photography has the ability to preserve that history, albeit in 2-dimensions.

The folio is available online on luxBorealis.com and at my Flickr account. The complete folio is also available for purchase as a set of hand-printed, 9½x 13″ fine art photographs made on the beautiful Moab Entrada Natural Rag watercolour paper, printed with pigment inks. They come in an acid-free presentation folder with title page, artist statement and colophon. The folio of 21 photographs is $350 (shipping included) and is limited to the number of orders received.

Most importantly, though, enjoy this vignette of vernacular history.