Tag: ProCamera app

Winter photos à la iPhone

Some of you might think I’ve gone over to the dark side, but really, I’m celebrating the fact that great photos are now just an iPhone away. It’s not just iPhone, though, as Google Pixels 2 and Samsung Galaxy phones, amongst others, are now capable of producing amazing photographs.

In iOS 11, iPhones now shoot HDR images as the default, and the image quality is greatly improved. It also has a fantastic Portrait mode which, through software, blurs the background. And, the “Plus” models like the iPhone 8 Plus I’m using, has both a 28mm lens and a 56mm lens.

But the real bonus for me is RAW capture. Shooting in RAW permits processing for the highest image quality possible. While the candid photos I take, the snapshots, are made using the iOS camera app that comes with the phone, the landscapes – my more serious work – is all done using one of few different RAW camera apps. I’ve written an article on this that will be published in Lumnious-Landscape.com, but for now, suffice it say, I’m loving using Lightroom Mobile and ProCamera. There are really only three of four mobile phone apps that are useful for shooting raw and these are the two best.

Lr Mobile is free and you do not need to subscribe to Adobe’s “cash grab” Creative Cloud to make use of it. ProCamera is $5.99 and well worth the cost. While I prefer ProCamera’s histogram approach to showing clipped highlights, I love using Lr Mobile’s HDR-RAW feature: it takes three shots in succession at +2, 0 and –2 EV and automatically aligns, merges, deghosts, and tonemaps the photo. While it’s a whopping 43mb in size, it is all set for full-bit-depth editing in Lightroom. Fantastic!!

Anyway, enough blabbering – here are the photos. I’ll update the blog when Luminous-Landscape publishes my iPhone Raw article. Enjoy!

iPhone 8 Plus Initial Test Shots

Three years ago, I shot everything on full frame. Since moving to digital from 35mm and 4×5, it had been my “quest” to reach the same level of image quality as my 4×5. With the Nikon D800E, image quality was finally there and well surpassed that of 4×5, although I did not have access to the tilts and swings of the larger format, bellows camera.

Two years ago, after hefting my full frame D800E and lenses around the Galápagos Islands with 23 students, I decided a change was needed. That’s when I began exploring 1″ sensor “bridge” cameras: first the Panasonic Lumix FZ1000, followed by the Sony RX-10iii, which I have happily settled on. I’ve now travelled with it to Iceland twice and to England, not to mention numerous day hikes here in southern Ontario. I am very pleased with the IQ and can easily make fine photographic prints up to 13″ and 17″.

iPhone 8 Plus

Last week I (finally) entered the mobile phone era with an iPhone 8 Plus. (BTW – Check out Freedom Mobile: over the two year contract, I will only be charged $600 for my $1095 iPhone 8 Plus! Use the link here and you and I will earn a $10 credit!)

A small gallery of photos from Christmas Eve Day, down by the Speed River, Guelph.

Why the iPhone 8 Plus? Why, its camera, of course! It has a two-lens camera system: one is a nice wideangle (for smartphones) f/1.8 28mm lens; the other, a f/2.8 56mm lens. It’s portrait mode creates beautiful photographs, artificially blurring the background, and, with the right app (in my case, I’m using the ProCamera app) I can save the photo in RAW format, using Adobe’s DNG format. Imagine, raw from a phone. Is it any good, though? I’ll let you be the judge. You can learn more about the camera in this article in Popular Science.

These were shot over the last couple of days while we’ve had beautiful, but cold, wintry days here in southern Ontario. The stark lighting is a real test for any camera system as the dynamic range is extreme. I’ve been pleasantly surprised at how well the iPhone handled the contrast. From what I understand, the camera now always does exposure blending by taking three exposures almost simultaneously then automatically combining them into a single photograph, commonly called HDR.

The photo below was made along one of the many backroads we took driving down to Burlington on Christmas Day. The late afternoon sun was made hazy by the falling snow – a scene that was begging to be photographed. I took a number of different shots and settled on this one, slightly cropped from the full photograph. I saved it as a raw file, to ensure maximum latitude while processing. That being said, Apple’s new HEIF file format (PhoneArena review), which iOS 11 now uses instead of JPEGS ticks many of the boxes for advantages: up to 16-bit colour (jpeg is 8-bit) including animation and transparency, yet a smaller file size (about ½ compared to jpeg) and far superior compression with fewer artefacts.

Web version with border and white framing from Lightroom and LR/Mogrify
This is the initial raw file, cropped, but not processed. It appears dark as the emphasis was on retaining the highlights. The full-size image is linked for you to view pixel-level quality.
Here is the full-resolution (linked) processed version of the same file.
Lightroom Before/After comparison with processing values to the right.
Portrait mode, no flash

So far, I’m pleased with the results. Even the Portrait mode is well worth the additional cost of the “Plus” version of the iPhone 8. And the Slow-Synch flash, which doubles as a flashlight/torch, is a bonus which provides very pleasing fill light. Why not an iPhone 10? The additional cost pushed it over my budget. Besides, the iPhone 8 Plus is built on tried and tested technology.

I’ll be shooting more with it over the next few days, so if you have any questions or comments, fire away.

Will it replace my other photo gear? For walking around, yes, but for serious photography, not yet. Who knows, though, the iPhone 8 Plus might still have a few tricks up its sleeve.