Tag: nikon

Killarney

Morning, George Lake, KillarneyNow that the bulk of my “day job” has wound down, I have a bit more free time to write and share (and to complete the jobs on this summer’s “honey do” list!) It also means some time to do the things we most love to do… travel, camp, hike, canoe and, for me, photograph. So, in the last week of June, Laurie and I packed up the car and made our way up to Killarney.

Killarney Shield from Granite Ridgeif you’ve never been to that part of Ontario, then you are missing a real gem. You can either choose among the 20 best rv rentals in Florida – rvrentalscout.com or take your minivan but travelling to Killareney Provincial Park by road is a must things to do. Killarney Provincial Park is uniquely located on the Canadian Shield where a 1.5-billion-year-old batholith is up against the eroded roots of 2.25-billion-year-old mountains that were once the height of the Himalayas – they are now the white quartzite ridges of the La Cloche Range. What makes for spectacular photography, though, also makes for difficult hiking. The 87km La Cloche Silhouette Trail (which we did not do!) is one of the most difficult in eastern Canada.
OSA Lake and Killarney RangeInstead, we opted for car-camping at George Lake combined with day-hikes along the Cranberry Bog Trail, the Chikanishing Creek Trail and the Granite Ridge Trail. We also spent the better part of day canoeing and portaging the 23km round-trip to OSA Lake. OSA (Ontario Society of Artists) Lake is a gorgeous vermillion blue colour set against the deep green of the boreal forest and the white quartzite of the La Cloche Range. Its moniker comes from the fact that AY Jackson and the Group of Seven painted extensively in the area and had a hand in having the area protected from logging. In fact, one of my favourite places is AY Jackson Lake – a 15-minute hike from the George Lake Trailhead.

We camped in the eastern part of the campground in the radio-free (but not necessarily noise-free or idiot-free) part of the park. The idiots I refer to are the twenty-something “guys weekend” group who were not only loud, but also messy campers, leaving food, etc. out which ended up attracting a young bear. Luckily it was one of their tents that was trashed, not ours.

_D8E8724-WEBOur second full day was rainy – a perfect time to spend photographing the wonderful lupines along the Hwy 637 corridor. They were an unexpected splash of gorgeous colour we could not pass up. Given the beautiful, soft light and the light rain, Laurie’s photos from the iPad rival mine made with the D800E! I went to Killarney expecting wonderful landscapes, but came home with some lovely wildflower shots as well.

One of the styles I’m working on with wild flowers is replacing my 105mm macro lens with a wideangle lens, typically my 24mm. It takes just the right set of conditions since the wideangle shows so much more background. I think I was successful with the blue flag iris and the harebell, but less so with the bunchberry.

20mm
20mm

Of course, in landscape mode, I love working ultra-wide with the 20mm. Given a detailed foreground, the 20mm is unrivalled for giving the feeling of being able to walk into the scene. The 24mm also had a good workout. For both the AY Jackson Lake and George Lake morning ‘scapes, I used my Dawn, AY Jackson Lake, KillarneyND400 filter to get much slower shutter speeds of five to 15 seconds which removed slight ripples on the lake providing a glossy surface for reflections.

Needless to say, it was a fruitful trip, photography wise, and it re-invigorated our love of northern Ontario. The sad part was returning to the bustle of southern Ontario – and the NOISE! It’s really surprising how much noise we put up with down here – and don’t even realize it becasue we’ve become to used to it. The noise of the city becomes painfully obvious after being in a place devoid of that white noise.

For more photos of Killarney, head on over to my Flickr album

Thanks for reading.

Nikon D800e – OMG!

Between household chores today, I’ve managed to spend some time working with the D800e photographs I made early this morning. “The sound of jaws hitting the floor” is an understatement. The results are fabulous – more fabulous than my Nikkor 20mm lens and more fabulous than the now apparent diffraction at small apertures with the Micro Nikkor 105mm. Oooops! What they’ve said all along is absolutely correct: the D800e will show all the flaws like you’ve never seen them before.

My shooting technique involves sturdy Manfrotto 055 tripod legs with a head heavy-duty enough for my 4×5 wood field camera. I religiously use mirror lock-up and an electronic release. I also expose to the right to drive exposure up into the most valued area of the histogram (so that signal is significantly greater than noise resulting in cleaner images once processed).

This morning was designed for nature photography – beautiful soft light before sunrise and after, with not a breath of wind. I could take my time to look and compose and look again then set up for the exposure. I didn’t use LiveView for focussing this time, but instead made use of the hyperfocal distance markings on the 20mm – the markings limited (up to ƒ11), but still helpful. I should have used LiveView for focussing the milkweed flowers with the 105mm as I notice I am few millimetres out of perfect focus.

Presented below are four photographs from today I’ve spent some time working on. They were processed through Lightroom 4.1 using any and all of the tools necessary to recreate the scenes as I experienced them and wish to portray them. They are not “finished” by any means; no doubt when I re-vist these photographs a week or a month from now, I will look at them differently and make the necessary improvements, but here they are as they exist now. While I’m not the expert in LR as are others like Michael Reichman, Jeff Schewe, et. al., as an LR Instructor at Mohawk College In Hamilton, I think I have a fair command of it. I have made various and best use of adjustments in the Basic Panel (including Gard Filters, Adjustment Brushes and Spot Removal as needed), as well as sharpening in the Detail panel and Lens Corrections built in for the Nikkor 20mm AF-D lens.

Paired with each photograph is a 100% crop of the centre of the frame. This will be useful for those interested in seeing what the D800e is capable of under near ideal conditions. I’ve provided the centre crop only as this is a review of the camera, not the lenses. That being said, the flaws with the 20mm including chromatic aberration towards the corners, become readily apparent. As well, the effects of diffraction begin to appear (as you will see in the milkweed flowers at 100%), but that’s for another post. In the meantime, have a look. If you want to see the photos at maximum size, when in “gallery mode” (dark screen), right-click and choose “Open Image in New Window” or “Open Image in New Tab”.