On Tuesday, I set aside the early part of the morning specifically for photographing a field of summer wildflowers between Water Street and Municipal Street here in Guelph. My wife Laura and I walk by here regularly as we (mostly she!) completes our 6km loop from home to the Boathouse on Gordon Street (no, we don’t stop for ice cream!) and back again, along the Speed River for most of the way. It’s been interesting to watch how this field has evolved since, amidst much controversy, this forested area was razed by the Hydro One crews two years ago. They seeded it with a wildflower mix which, at this point anyway, seems to be successful. Right now it is ablaze with flowers: Queen Anne’s Lace, Rudbeckia, Evening Primrose, Mullen, various thistles, daisies, and grasses.
When I walked along the trail early Saturday morning, I was struck by the colour, the light and simply how “full” the field was with wildflowers. As I walked, I got thinking about returning with my 100mm macro lens on the D800E first thing in the morning, hand-held, just to see what I could capture, ideally at ƒ2.8 only. I specifically chose my full-frame camera because I wanted to minimize my depth of field, so ƒ2.8 was also my goal. This is a complete departure from my regular shooting style of using a wideangle lens, getting close and using a small aperture to maximize depth-of-field; this allows me to create the environmental portraits I love so much – putting the main subject in its natural context. When I began shooting, though, I quickly realized how shallow the DoF is at ƒ2.8; I just couldn’t come to grips with the limited depth-of-field, so I “slipped up” to 5.6 and even 7.1 for a few shots.
Here are six of the photos I made.
These photos represent another goal of the morning, which was to capture light. I was fortunate that it was cool enough overnight for dew to settle on the flowers, so at 7am they were sparkling, adding another dimension to the morning. However, I can tell I’m a bit out of practice. Some of the parts I wanted in focus are not and despite using shutter speeds over 1/250, my hand-holding is not quite steady enough with high magnification shots like these. The problem is, I’ve become too used to the excellent image stabilization of the Sony RX10iii. Next time, I’ll consider using a monopod, although, to be honest, for these more spontaneous shots, even a monopod would be a hindrance.
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