Tag: details

Lake Superior III: Potholes and Puk

After that glorious morning photographing in the mist along the shore of Rabbit Blanket Lake, we packed up and headed north. Having backpacked, canoe-tripped and car camped with a tent, it has been downright luxurious to be trailer camping. It’s quick to set-up and take down and, with electricity, it’s meant we could download and begin processing photographs each night or during mid-day when the light is harsh. The added bonus is having a coffee maker on a timer!

Between Lake Superior Provincial Park and Pukaskwa National Park are the towns of Wawa and White River, remote by southern Ontario standards, and a bit depressed. In fact, all along the Trans-Canada we saw signs of deterioration. Many gas stations, tourist motels and shops were not just closed, but long-abandoned. After returning home, we noticed a CBC feature on a photographer who had chronicled just this. Kerry and I put it down to the changing taste of tourists: “rustic” is now passé. More and more families want and have the money for more upscale places where they (and, more importantly, their kids) will be entertained at “name-brand” places rather than Mom-and-Pop places. This, combined with people retiring out of the business without anyone to buy them out or hand it down to is also part of the problem. Sad really.

At Wawa, we took the 101 east towards Chapleau to visit a place the geographer in me has always wanted to see: Potholes Provincial Nature Reserve. It’s just a small place with a 300m trail, but it leads to some beautiful, large, but slightly underwhelming potholes and carved rock features. I think the potholes at Rockwood Conservation Area are far more numerous and interesting, but these, carved out of much harder granite, and with interesting water flow features make it worth a stop if you’re ever in the area. Potholes are huge, cauldron-sized and larger, round holes bored into the bedrock when rocks were caught in a vortex of a large sub-glacial or post-glacial river. The swirling rock and grit literally drilled down creating the pothole. Here are three photos from Potholes. Continue reading below.

So, now were in Puk – Pukaskwa National Park (pronounced Puk-a-saw). It is a gem of a park with the raw beauty of the Canadian Shield and its forests meeting the cold waters of the Lake Superior. It’s great for kayaking and hiking with the rugged, “physically demanding” Coastal Hiking Trail. Kerry and I experienced that 21 years ago when we chartered a boat down to the southern end and hiked the 60km back to Hattie Cove. Being younger and more foolish, in addition to our camping gear, we each had a 35mm system, a 4×5″ camera system and a tripod (not the lightweight carbon tripods of today, that I still can’t afford!). But now, we return with a trailer; age has its privileges, one of them being wisdom!

For me, the goal was to capture the essence of the Lake Superior Coast and its rocky details; the Hattie Cove campground area and trails offer many options to do so. There are three beautiful sand beaches (if only the water temperature was swimmable!), with tons of driftwood, forest edges and great rock features. Each morning and evening we “worked” a different area or trail. Again, the weather was “too nice” most of the time with clear blue skies and not enough wind to create decent waves – good for kayaking, I guess. We had one morning of fog which added another dimension, but really curtailed our shooting to the golden hours with a few snaps along scouting hikes during the day.

I made a number of significant photographs while at Pukaskwa, significant to me, anyway. In this post, I’ve added a couple of photos to give a “sense of place” and some of the “detail” photographs I so enjoy making. At this point, I’m making interchangeable use of the Sony RX-10iii and the Nikon D800E, although most of these, shot during “scouting” hikes, were made with the Sony. In the next post, I’ll follow up with some landscapes. Dawn and dusk were spectacular!

After reading and viewing, please take a moment to comment, question, add critique and share this post with others.

This is the third in a series of blogs about my recent photo trip to Lake Superior. The first two blogs are I. Chutes PP and II. Lake Superior PP. Thanks for reading!

Vieux Port de Montreal

New folio: Vieux Port De Montréal

A short project, I spent an afternoon working on back in June of 2016, was a series of photographs along Rue de la Commune in Old Montreal. I had a couple of hours “off” from shepherding my Grade 7s through Montreal on a school trip.

As I walked along this area of “Vieux Port de Montréal” I became intrigued by the barely visible signs painted on the brick and stone faces of the buildings – ghostly reminders of the past. It’s not ancient history, nor is it particularly significant to the world at large. What it is, though, is classic, vernacular history; the history of a local population.

I found it creatively intriguing, so I spent the afternoon photographing what little there was left of these painted store/shop signs, directions and directives in these few blocks, trying to find the best way to reveal them without the more modern obstructions and changes. There are also photographs of a few architectural and design details that caught my eye as being complementary to the signs.

Also of interest to me, as a photographer, was the colour palette in this area. Dingy is one way of looking at the dirty-looking grey blocks of stone, but there are also subtle, worn-looking greens, as you can see in the photo above, worn-looking reds. The colours are real, not “photoshopped”, but in their faded appearance, they give this real-life area a natural, faded-image look.

Of interest to photographers, at the time I was using a Panasonic FZ1000, a more-than-capable camera for this kind of street work, with its very flexible 25-400mm Leica zoom and high quality 1″ sensor. As you may know, I’ve since transitioned to a Sony RX10iii: a similar, but slightly more capable camera. If interested, you can read about that decision here.

I have purposely kept people to a minimum in these photographs. My point was not to show how the street and buildings have been transformed; rather, the photographs are a record of a rapidly fading past – I wanted the painted signs and the surrounding architecture to speak of that past. Photography has the ability to preserve that history, albeit in 2-dimensions.

The folio is available online on luxBorealis.com and at my Flickr account. The complete folio is also available for purchase as a set of hand-printed, 9½x 13″ fine art photographs made on the beautiful Moab Entrada Natural Rag watercolour paper, printed with pigment inks. They come in an acid-free presentation folder with title page, artist statement and colophon. The folio of 21 photographs is $350 (shipping included) and is limited to the number of orders received.

Most importantly, though, enjoy this vignette of vernacular history.