Yesterday was one of those ideal August days for photography: cold overnight and warm during the day, not to mention a super moon in the evening!
I was down to my favourite location along the Grand a few days ago, about ½ an hour late for the mist rising, so I kept my eye on the weather for another cold night and Saturday night was just that – down to 10°C overnight. This meant Sunday morning would dawn with great mist over the water and the Grand River did not disappoint.
I started at Pilkington Overlook (between Elora and West Montrose) spending about 15 minutes looking for just the right view with fog filling the valley. I never did find it (I always have trouble there finding just the right view), however, I did come away with one (shown at right).
Then, I moved down to the flats below by the Eighth Line bridge. Spectacular. Although the sun had already risen above the valley, it was just coming over the valley edge by the time I drove down there – a golden sunrise with mist swirling around. Having been there just a few days before, I knew exactly where I wanted to set-up each photograph. It was just as well, for within 30 minutes, the show was over – the mist had evaporated. There was still beautiful sunshine that would make lovely summer morning photographs, but without the mist, it just seemed lifeless. Again, just as well – our daughter had promised to make Sunday breakfast and I didn’t want to be late!
In that 30 minutes, I managed a few different set-ups, looking up and down river, each with a different focal length from very wide through to short telephoto (105mm). I disdain straight lines in nature photos, so I always worked to incorporate the curving, leading line of the river bank. I was also able to make a few long exposures to blur the water, using the NDx8 and ND500 filters. The air was so still – nothing moved! Wonderful.
One thing I am always startled by is how well the Nikon D800E handles exposures made with the sun in them when processed in Lightroom. (The lenses also behaved with only one small flare spot, daily removed in LR.) For example, the photo above was made at the exposure recommended by the camera (i.e. I did not add exposure compensation). Lightroom successfully brought the highlights of the sun down to something manageable. They don’t have any detail, but then again, there is no detail in the sun to be had! Also, the foreground was not so dark that it couldn’t be brought back to life by increasing the Blacks and the Shadows – all without introducing scads of grain, which is often the case with raising shadow areas.
It was a similar case for this photograph to the right, made a little later. Although I reduced the in-camera exposure by 1 stop, the shadows were still recoverable and still have lots of life.
In the evening, I was back again, for the light around sunset, the super moon and the light after dusk – this time with Laura, . It’s funny how long it takes for the sun to set when you are waiting for it. I used The Photographer’s Ephemeris app (for Desktop, iOS and Android) to determine where the moon would rise and the time it would rise. In fact, earlier in the day, I spent about an hour examining different locations within an hour’s drive of home to determine which would be best. At first, we were going to Spencer Gorge for the view (and I would try that next time, for sure), but having been to the Grand River earlier in the day, I thought, what the heck – why not return.
The moon rose as planned, but I was not altogether satisfied with the foreground arrangement. I made the best of a difficult situation and came back with one. The tricky part is exposing for the moon, while trying to capture some of the detail in the foreground (without, of course, resorting to making a photo montage by using a moon layer and a foreground layer in Potoshop). The photo at right was exposed for 1/30th at ƒ4 at ISO400. The shutter speed has to be high enough to stop the motion of the rotating Earth (the “movement” of the Moon). To keep some detail in the foreground, I had to use ƒ4. I could have (and perhaps should have) gone to ISO800 to get an aperture of ƒ5.6. The earlier you shoot in the evening, ideally just after moonrise, the more brightness there is to light the foreground. I made a more wideangle photograph that works well composition-wise, but, for me anyway, the moon is too small to be effective.
I did enjoy shooting some different set-ups, though, as the sun set and for about an hour afterwards. Afterglow provides and interesting cool and low contrast light. Combined with the complete lack of a breeze and shutter speeds of 30 seconds or more are no trouble.
The next super moon – not quite as super as last night’s – is on September 9th, a Tuesday. Mark it on your calendar and try to find the best location near you.
Here is a gallery of the photos I made yesterday, both in the AM and PM.